The Eight Darshans of Shrinathji
Legend has it that the Gopis living in Braj used to love
Krishna so intensely that they would try and make up just about any excuse to
go over to Yashoda’s place to get a glimpse of their beloved Nandgopal.
Yashoda, being highly protective of Krishna, would often be concerned about the
Gopis wandering around her house at all times of the day. Hence, she decided
that they could visit him only at particular times of the day – after he
finished eating or as he was resting and so on.
Based on this belief, Vallabhacharya stipulated that his Lord would give
his devotees darshan at particular hours in a day and decided on 8 times per
day, when the doors of the sanctum sanctorum would be opened for devotees to
have a glimpse of the Lord.
Below are the 8 darshans in detail:
This is the very first darshan of the day. Shrinathji is
gently woken up with the sound of the Shankha or conch, being blown in the
background. This darshan lasts up to a time period of 45 minutes. This time may
vary with each different season. Darshans start a little later during summer;
the reason being that the Lord plays for longer with his friends in the hot
weather, and so, he would need more sleep to get back his energy. Child Krishna’s adornment is also simple at this
time of the year. He wears a thin adbandha. He is also not given his flute, as
others would forget everything else and stop doing their work if he started
playing his instrument.
During the winter season, he is put to sleep earlier and so,
is woken up earlier as well. In this season, he is covered up with a thick
rajaai or blanket and only his face is visible to devotees. There is a sigri or
fire lit before him, so as to keep him warm. Milk, mishri, buttermilk and
sheera are considered to be Shreeji’s favorite bhog (eats).
The Mangal Bhog Sheera is hence one of the most common items
made for Prasad. An elaborate aarti is
then performed to attain the Lord’s blessings. This dou vat batti aarti or
aarti with two standing wicks, is performed with seven full and seven half
rounds.
It is believed that all his little friends would come to
visit this beautiful aarti. Songs
composed by the poet Shri Parmanand are sung during this darshan.
2. Shringar
The Shringar aarti takes place after about an hour from the
Mangala darshan. Here, Shrinathji is dressed up and ornamented beautifully, in
accordance with the particular season and time of the year. Interestingly, the
Lord’s attire and jewelry he would wear on each day of the year had been fixed
by Gusianji about 500 years ago. That same tradition is followed even today.
Hence, the Lord never wears the clothing he has worn once that year. In this aarti, the Lord is offered garlands
of flowers and a pink lotus is pinned at his waist.
He is also seen with his flute in this aarti. After his
Shringar is done completely, he is shown a gold mirror, so that he can be
pleased with the way he looks. This ritual of showing him the mirror is
believed to be the most important moment of the entire darshan, with devotees
thronging to have a glimpse of this wonderful sight. Shreeji appears to be
happy and proud, standing tall, as if appreciating his own good looks.
This darshan has no aarti. A bhog of dry fruits and sweets
is offered to him during this darshan. Keertans and bhajans (devotional songs)
of the poet, Kavi Shri Nand Das is sung at this time.
3. Gwal
The Gwal darshan comes one and a half hours after the
Shringar darshan. This darshan is usually not open for the public during
special occasions and festivals. During this darshan, the cowherd Nandlala is
believed to be taking his cows for grazing.
The leaves of the Tulsi plant are offered to the Lord and a
Dhoop Dhunni is carried out, so that he is not affected by the evil eyes of
others. Again, the dou vat batti aarti is performed, followed by a bhog of
milk, kheer, rabdi and so on. Keertans of Kavi Shri Govind Swami are sung at
this darshan.
4. Rajbhog
This is the fourth and the most impressive darshan of them
all. Just before this darshan opens to the public, the priest loudly asks the
sevak (helper) to bring Shreeji’s garland. The Lord’s garden is believed to
have been at a little distance, and hence, the priest beckons the sevak to
hurry up with his job. This very elaborate darshan is open for longer than all
the other darshans.
Then, Shivji is called for, asking him to take a darshan of
the Lord. The idol of Shivji was also installed in a temple near the Banas
River, when Shrinathji shifted to Nathdwara. It is believed that Shivji too
participates in the Rajbhog darshan, within a round semicircular area, just in
front of Shreeji. Hence, no one else is permitted to step into this area at the
time of the Rajbhog darshan.
The Lord is adorned with a new garland and he is seen with
his flute. Triangular betel leaves are offered to him, followed by an elaborate
aarti. He is offered all types of food that make up for a royal lunch befitting
his exalted status. The Lord’s food is always sweet and no spice is added to
his food. His drinking water, which is fragrant, is always mixed with rose
water, kesar (saffron) or sandal essence. Milk mixed with saffron is believed
to be his favourite drink. Songs composed by the poet Shri Kumbhan Dasji are
sung for this darshan. After his darshan, the Haveli is shut for the entire
afternoon, since he has to take his vishram or rest. The next darshan takes
place only after 3 hours, after the Lord is done with his siesta.
5. Utthapan
This is the first darshan of the latter part of the day. The
darshan starts at around 3:30pm and goes on for 45 minutes. Here, Shreeji is
woken up with the soothing sound of the Veena. The child Krishna is still a bit
groggy after waking up and so, the environment in the Haveli is calm and
peaceful at this time. A bhog of fruits and milk products are offered and
devotional songs of poet Shri Surdas are sung in praise of the Lord.
6. Bhog
After about an hour after the previous darshan, there is the
Bhog darshan. During the summer season, little fountains are started in order
to cool the environment. In winters, a coal sigri is lit in order to provide
adequate heat to Bal Krishna. A golden fan made of peacock feathers, called
morchadi, is waved around the idol of the deity. This darshan also includes a
flower shringar or flower bangala. Later, a bhog of fruits, a few light snacks
and Thor is offered to the Lord, along with keertans of poet Shri Chaturbhuj
being sung during the darshan.
7. Sandhya Aarti
This darshan comes immediately after the Bhog darshan. It
relates to Yashoda doing an aarti for her divine son. The deity’s clothing here
is light and soft, as he is preparing for bedtime. The child Krishna is given
his flute and so, everything around becomes serene and quiet. In this darshan,
Bhog is also offered to the Sudarshan Chakra. Keertans of Kavi Shri Chitta
Swami are sung at this time.
8. Shayan
The Shayan darshan is the last one for the day. As the name
suggests, this darshan is to put the child Krishna to sleep. Here, the sevak
goes out on the terrace to call out to the chief chef to report early next
morning for work. The playing of drums signify the opening of the darshan. A
melodious bhajan is sung in the form of a lullaby. Shreeji is given his flute and the Veena is played for some time.
A lush rich carpet is spread out, leading all the way to
Shreeji’s room. In the room, a gold bed is made ready for the Lord to rest on.
It is believed that Radha would also join him, and so, her apparel and
ornaments are also kept ready.
A bhog of water, laddoos and paan (betel leaves) are kept
ready for him. Keertans of Kavi Shri Krishna Das are sung at this darshan. Being the last darshan of the day, it becomes
dark and silent all around, till Krishna is woken up again the next morning for
giving his first darshan. The wooden platforms from the “Dolti Bari” of the
main audience chamber and the doors to the “Sinh Pole” – the huge door guarded
by tigers – are left open for the night. Since the child Krishna is asleep, there
are no chances he will run out from the gates and hence, it is considered safe
to keep them open!
Not only the temple, but the entire town seems to retire
into an attitude of quiet as soon as Shreeji is put to sleep .
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